I actually enjoyed this more than I did The Silent Patient. It is a quick read with an interesting twist at the end. The Greek mythology and university society (“The Maidens”) make for an interesting plot as does the therapist who is the main character.

This is a kind of mystical story set in Amsterdam. It is number one so I assume that we are going to meet the Miniaturist in future books. The story revolves around Petronella who is from the countryside and marries a rich Dutch merchant and moves into his home in Amsterdam. As a wedding gift he gives her a model of their home and she contacts the Miniaturist whom she never actually meets, to make items to go into it. What follows is an intriguing tale of the whole family and their relationships which somehow the Miniaturist seems to mysteriously know much more about than anyone else. It is rather a sad story and has quite a twist at the end.

Excellent!

2.5 stars. I enjoyed Marian’s story very much but this book was about 200 pages too long. The Hadley story was completely unnecessary and the character was unlikeable. The history of flight also not needed. Parred down this could have been excellent.

Set in a world where Slasher films really did happen, Lynnette is a member of what's known as the "The Final Girls Club." The club is made up of women who meet a very specific criteria - they all were the only survivors of two massacres, and they all killed the person responsible. They meet once a month to support each other and work towards moving on with their lives - until one day one of the members doesn't show up on time. Her monster has come back to kill her. Now, Lynnette is on a race to not only keep herself alive, but to keep the members of her club alive as well. This probably would have worked pretty well as a movie, honestly, but as a book it didn't quite work for me. First, Lynnette as a narrator was awful. She's unreliable from the start, so I found myself utterly distracted the entire book because I was always trying to figure out if I should believe what was happening. I know a lot of books use the unreliable narrator trope now, but it was a difficult sell in this book. I would have much preferred if a different narrator (Heather?) was responsible for telling us what was going on. Or if Lynette's character was tweaked a little. Second, the plot twists were not really plot twists. It was really easy to figure out who was going to be responsible for the killings happening, so that was disappointing. The twists didn't leave me going "oh wow!" so much as "ugh, finally, we got there." My third issue is that it seems like Grad Hendrix either didn't keep track of everything, didn't want to explain everything, or thought that no one would pay attention. For example, at one point a character is mentioned to have a cell phone that they are going to use to keep track of Amber Alerts and to check in with every five hours. Three sentences later, they say that they're going to keep the phone turned off and only have it on for the check in times. How...how are you checking for Amber Alerts? Why did you make a big deal about checking for Amber Alerts, only to then say you're turning the phone off and not getting them anyway? In another scene, Lynnette is dictating a message for someone to send. She claims that it was a difficult process, and that she had to spell out a lot of the words. The example given is using "p as in Paul which is fascinating, because the only words with "p" in her message are purchased, photos, people, and peace. Am I really supposed to believe that someone couldn't spell one of those words without help? Really? I could go on and on, but honestly? I had high hopes for this book. The summary sounded great, and I was really excited to read it. I'm glad I didn't spend money on it. The writing is just not good.

I read this book all by myself. It's a silly book about how to make a pancake. It tells you every step you take like adding the eggs and then the milk and pouring it into the pan. If you listen to the directions you can make a pancake. I like bacon and pancakes.

One of the best books I have ever read!

Evelyn Valpey, aware of her painful past and unsure of her role in society and the war effort, takes on a job with the "War Office" where she takes on the enemy--Fifth Column--by adopting a character unknown to herself and her friends. A bit rambling at times and moving from 1939/40 to 1948, the story explores MI5, counter intelligence, and Evelyn's inner turmoil.

I enjoyed this book because I like reading about characters having fun at camp because I think it is entertaining reading about problems at camp and reading about how those problems got solved.I also like that every adult and kid is nice and that the book is realistic.

Told from the perspective of fifteen-year-old Libby during the 1980s, the story starts one night when Libby's younger sister, Ellen, annoys their mom so bad that she kicks Ellen out of the car and tells her to walk home. Ellen decides to hitchhike her way back, only to get into the car of a strange man who doesn't seem willing to let her out, resulting in her having to jump. I was expecting this to be more of a thriller or mystery, following what happened after the car ride and them finding the guy who did it. That's not really the story, though. This is less a mystery/thriller and more a coming of age story about a family who just happened to have a girl who was molested in a car. I found Libby to be really boring as a narrator, and the timeline itself was very confusing - you'd be reading something present tense and all of a sudden, within the same paragraph, they suddenly jump to an event that happened years ago. The premise was interesting, but I found the writing style to be disjointed and the summary didn't really match what the book was.